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Two new pieces: 'Secret Flower' and 'what granite islands', both relatively short and somewhat similar. However, the latter piece strikes me as being very odd in tone; it sounds comical sometimes, almost sheepish or embarassed, but also sort of solemn and ritualistic. Sounds stranger to me every time I listen.

I'm trying to keep my run of Friday compositions going - Twitter friend JC Combs invites composers to send improvisations every week, and it's my feeling that things composed this quickly are in effect improvisations.